The John Barry Seven also enjoyed hits of their own, including "Hit or Miss" and a version of the Ventures' "Walk Don't Run." They were known for their unusual sound, owing to their bold yet precise playing and their heavy use of electric piano and other relatively uncommon instruments (this in a time when the electric bass was barely tolerated). During this period, Barry also arranged and led the accompaniment for numerous other EMI recording artists, including Desmond Lane, the England Sisters, and Bill and Brett Landis. From 1959 until 1962, he and Faith were an unbeatable combination, both onscreen and in the recording studio, releasing a string of major British hits through the Parlophone label. It was from there that Barry moved on to become music director for Drum Beat, a dramatic program starring a young singer/actor named Adam Faith. The group's next big gig was as one of the resident house bands for Good's new program Oh Boy!, which was a showcase for many of the most dynamic young rock & roll singers coming up in England, including Cliff Richard. It was out of their appearances on the program that they were signed to EMI's Parlophone Records label.
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By this time, the rock & roll boom was going full swing, and Barry's singing frequently required him to do his best Elvis- or Carl Perkins-style vocalizing. The group became immensely popular after their appearances on the program, and Barry was the star, not only playing trumpet but also handling the vocal chores. After a few weeks and some successful live engagements including a gig as the backing band for Tommy Steele, the show's producers changed their minds and the John Barry Seven made it onto The Six-Five Special. He moved the group to London in 1957 and approached Jack Good, the producer of British television's top music showcase The Six-Five Special, but was turned down for the show. The result was John Barry & the Seven, later known as the John Barry Seven. Dankworth actually used two of them, and at Parnell's suggestion, Barry started his own band. Once he was back in civilian life, Barry offered his arrangements to some of the top bandleaders in England, among them Ted Heath, Jack Parnell, and Johnny Dankworth. During his two years in the Army, he tried his hand at arranging, and he later enhanced his skills by taking a correspondence course offered by Bill Russo, one of Stan Kenton's arrangers. Barry played with a local jazz band in his mid-teens, and was lucky enough to get himself assigned to a musical unit in the British Army when he was called up for National Service at age 18. He also credits Max Steiner's score for The Treasure of the Sierra Madre and Anton Karas' music for The Third Man as favorite film scores early in his life.
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Growing up around his father's movie theater business, Barry was always cognizant of the power and influence of the cinema, but it was a specific film, A Song to Remember, dealing with the life of Frédéric Chopin, that first demonstrated to him the power of music in movies and got him interested in the field. Francis Jackson, and had a deep interest in arranging. After spending much of his boyhood steeped in classical music, he discovered jazz - his idol was Harry James and his favorite music was made by Benny Goodman, Duke Ellington, Woody Herman, and the Dorsey Brothers.īarry studied piano and composition with the music master of York Minster Cathedral, Dr. He showed an avid interest in music as a boy and initially studied piano, although he switched to the trumpet in his teens. Additionally, from 1957 until the early '60s as leader of the John Barry Seven, Barry was one of the best-known figures in popular music and early rock & roll in England.īorn in York, England, on November 3, 1933, John Barry was the son of a small movie theater chain owner and a former concert pianist.
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Born Free (for which he won Oscars for Best Score and Best Song), The Lion in Winter, Out of Africa, and Dances with Wolves are hardly unknown films or scores. He was best-known in film in connection with his work on the James Bond pictures, but Barry was also the winner of five Academy Awards, none of them for the Bond movies. John Barry was one of the most well-known composers of soundtrack music in the late 20th and early 21st centuries, and his career carried him through a multitude of music genres and styles.
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